Rosalind Porter
Nation In Waiting
And the Land Lay Still is enormous in both length (it’s just under 700 pages) and scale. It’s clear that James Robertson has set out to write something in between the definitive Scottish novel and the definitive novel of Scotland – and to achieve this, he unapologetically renders the recent history of his country as his plot.
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'Amis clearly belongs to the do-as-I-say-not-as-I-do school of pedagogy. More or less everything he says is demonstrably contradicted by elements of his own work, be they here or elsewhere.'
https://literaryreview.co.uk/never-without-a-hitch
'The bar is set high at the outset, and readers are primed to wonder if Mikhail can make his case.'
Does Alan Mikhail's new life of the Sultan Selim I really overturn 'shibboleths that have held sway for a millennium'? Caroline Finkel investigates.
https://literaryreview.co.uk/master-of-the-universe-3
'Shopkeepers even cut out their names from shop paper bags and pasted them onto their books’ endpapers to feign wealth and gain cultural capital, as seen in a book owned by William Straw, a grocer.'
@laurenohagan91 on the Edwardian bookplate fashion.
https://literaryreview.co.uk/stepping-up-to-the-bookplate