Charles Saumarez-Smith

National Trust

Who Owns Antiquity? Museums and the Battle over Our Ancient Heritage

By

Princeton University Press 228pp £14.95 order from our bookshop

I was recently asked to give a paper at a conference on the subject of ‘Collecting Practices in Lebanon’ held at the American University of Beirut. I spoke on some of the problems of adding to the collections of the National Gallery and the worrying prospect that museums and galleries in the United Kingdom would no longer be able to add to their collections in the same way that they have in the past, due to the absence of dedicated state support and the increasing cost of the greatest works of Western European art. During the questions, someone at the back of the room stood up and asked how it felt to live in a country where so much of the wealth of the Middle East had accumulated. I misunderstood the question and thought that he was asking me about my attitude towards restitution. My answer was greeted with a slight undercurrent of sarcastic laughter, since it was obvious to them that I had not given deep thought to the fundamental issue of imbalance between collections in the Middle East, the heartland of ancient cultures and civilisations, and collections in Western Europe, which have been enriched by at least two centuries of trade, wealth, archaeology and loot. The message was: you already have more than enough; you are not entitled to complain.

Sign Up to our newsletter

Receive free articles, highlights from the archive, news, details of prizes, and much more.

Follow Literary Review on Twitter

  • Last Tweets

    • A piece of Literary Review history from way back in 1983: John Haffenden talks to the great Iris Murdoch. ,
    • Britain’s only travelling lit fest, the Garden Museum Literary Festival is heading to Houghton Hall, Norfolk, for a… ,
    • 'The 19th-century German sage is not my idea of a pleasant travel companion' goes hiking with Friedr… ,
    • If you want ideas about what to read next, sign up to our free email newsletter, and get book reviews, archive mate… ,
    • 'The heroic male nude could not, I think, be used today to signify civic pride and glory', as Michelangelo’s 'David… ,
    • 'Munch’s later works show us a man liberated from the torments that gave rise to some of the best-known early works… ,
    • 'We read from left to right and from start to finish. Or do we?' Stuart Hannabus considers the merits of reading i… ,