David Bodanis
Networking Down the Ages
Writing on the Wall: Social Media – The First 2,000 Years
By Tom Standage
Bloomsbury 278pp £14.99
Authors have it hard. Publishers scarcely exist, copyright is impossible to enforce and books become known not through stores or proper advertising, but by scattered personal recommendations. Even once-famous names end up trying to get their works noted by popular sites. The agony is not just that of our present digital era, but that of Cicero’s Rome. And 17th-century England. And pre-Revolutionary France. And pretty much everywhere that Tom Standage – The Economist’s digital editor and the most illuminating of Britain’s technology writers – casts his searchlight gaze.
That changed with the era of big newspapers and big publishing houses, which was boosted by the new steam presses of the 19th century. For 150 years communication was conceived in terms of Northcliffe’s Daily Mail, or Reith’s BBC. A handful of mighty beings stood at the top with hands folded, solemnly speaking out. The rest of us waited, passive supplicants, far below. Just a few years ago, all this seemed secure. But in the grand scheme of things, we can now see that it was only a blip. The media were different before, and Standage makes a strong case they’ll be different again.
First of all, our brains are exceptionally well designed for peer-to-peer observation. Primates have big brains compared to other mammals, and much of our extra volume is in the neocortex. The bigger the neocortex, the bigger the social network a creature can sustain. Howler monkeys have a relatively small neocortex
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
Literary Review is seeking an editorial intern.
Though Jean-Michel Basquiat was a sensation in his lifetime, it was thirty years after his death that one of his pieces fetched a record price of $110.5 million.
Stephen Smith explores the artist's starry afterlife.
Stephen Smith - Paint Fast, Die Young
Stephen Smith: Paint Fast, Die Young - Jean-Michel Basquiat: The Making of an Icon by Doug Woodham
literaryreview.co.uk
15th-century news transmission was a slow business, reliant on horses and ships. As the centuries passed, though, mass newspapers and faster transport sped things up.
John Adamson examines how this evolution changed Europe.
John Adamson - Hold the Front Page
John Adamson: Hold the Front Page - The Great Exchange: Making the News in Early Modern Europe by Joad Raymond Wren
literaryreview.co.uk