Joseph O'Neill
One Tory Island Story
The Faber Book of English History in Verse
By Kenneth Baker (ed)
Faber & Faber 445pp £12.95
Poets of Bulgaria
By William Meredith (ed)
Forest Books 92pp £6.95
Poets make lousy historians. This is because poetry and history, as Schopenhauer aphorised, are antithetical. Poets are surpassed only by politicians in their exploitative relationship with history. Politicians are keenly aware that persuading the people to vote for them is invariably a matter of persuading them to adopt a particular analysis of the past. Consequently, they do not hesitate fraudulently to manipulate the past to their own advantage. Anyone who still believes in a disinterested version of history is therefore unlikely to find it in The Faber Book of English History in Verse, edited by the Secretary of State for Education and Science.
The Secretary of State prefaces his selection with a strange remark. This history, he says, is concerned only with 'the history of the True-Born Englishman'. He identifies this creature (after Defoe) as the offspring of 'the eager rapes and furious lusts' of Britons, Scots, Romans, Danes and Saxons. What is
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It wasn’t until 1825 that Pepys’s diary became available for the first time. How it was eventually decrypted and published is a story of subterfuge and duplicity.
Kate Loveman tells the tale.
Kate Loveman - Publishing Pepys
Kate Loveman: Publishing Pepys
literaryreview.co.uk
Arthur Christopher Benson was a pillar of the Edwardian establishment. He was supremely well connected. As his newly published diaries reveal, he was also riotously indiscreet.
Piers Brendon compares Benson’s journals to others from the 20th century.
Piers Brendon - Land of Dopes & Tories
Piers Brendon: Land of Dopes & Tories - The Benson Diaries: Selections from the Diary of Arthur Christopher Benson by Eamon Duffy & Ronald Hyam (edd)
literaryreview.co.uk
Of the siblings Gwen and Augustus John, it is Augustus who has commanded most attention from collectors and connoisseurs.
Was he really the finer artist, asks Tanya Harrod, or is it time Gwen emerged from her brother’s shadow?
Tanya Harrod - Cut from the Same Canvas
Tanya Harrod: Cut from the Same Canvas - Artists, Siblings, Visionaries: The Lives and Loves of Gwen and Augustus John by Judith Mackrell
literaryreview.co.uk