Red-Color News Soldier by Li Zhensheng, Robert Pledge (ed) Jonathan Spence (intr); Assignment Shanghai: Photographs on The Eve of Revolution by Jack Bins, Crolyn Wakeman, Ken Light (Intr, Edd) - review by Jonathan Mirsky

Jonathan Mirsky

Picture The Revolution

Red-Color News Soldier

By

Phaidon 316pp £24.95 order from our bookshop

Assignment Shanghai: Photographs on The Eve of Revolution

By

University of California Press 130pp £24 order from our bookshop
 

THERE ARE TWO kinds of photographs: dead and alive. Li Zhensheng's, from China in the late 1960s, are dead; Jack Birns's, taken in China in the late 1940s, still live.

The reasons are simple: despite some self-justification and clain1s of heroism, Mr Li, a devout follower of Mao during the Cultural Revolution (1966-76), was an official photographer, conditioned to send a political message in almost every frame he took. Most of his pictures, with a few horrific exceptions, are posed, as he admits. Yale Professor Jonathan Spence, who must know better, asserts in his introduction that these pictures are unique. This is hype; I have seen their like many times.

Jack Birns was sent to China by Life magazine in 1947. His photographs, although occasionally posed, are lively and genuine - the products of an American newshound who wanted to take better pictures than anyone else and get in Life more often than his competitors; he succeeded. He snapped what

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