Simon Blow
Pleasure & Desolation
Letters from Colette
By Robert Phelps (ed)
Virago 214 pp £6.95
Colette is one of those rare writers for whom one has not only respect but a deep affection. Affection, because respect and admiration are not enough for a woman who determinedly remained a 'natural' and refused to sell herself in the literary market-place. Not for her the claustrophobic world of the salon littéraire, and writer scoring off writer, nor the jealousy and back-biting that all too frequently accompanies it. She made her life among the pleasures and desolations of the day-to-day, and preferred observing nature or watching the fishermen dance at Saint-Tropez to receiving admiring letters. Even to the end she dismissed her own fame, protesting to her daughter, 'If I were famous, I would know.'
It is this aspect of Colette that comes across most vividly in these letters, a selection drawn from the five volumes so far available in France, and the first to be published in England. The collection opens in 1902, during Colette's unhappy marriage to the notorious 'Willy', and we see
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
It wasn’t until 1825 that Pepys’s diary became available for the first time. How it was eventually decrypted and published is a story of subterfuge and duplicity.
Kate Loveman tells the tale.
Kate Loveman - Publishing Pepys
Kate Loveman: Publishing Pepys
literaryreview.co.uk
Arthur Christopher Benson was a pillar of the Edwardian establishment. He was supremely well connected. As his newly published diaries reveal, he was also riotously indiscreet.
Piers Brendon compares Benson’s journals to others from the 20th century.
Piers Brendon - Land of Dopes & Tories
Piers Brendon: Land of Dopes & Tories - The Benson Diaries: Selections from the Diary of Arthur Christopher Benson by Eamon Duffy & Ronald Hyam (edd)
literaryreview.co.uk
Of the siblings Gwen and Augustus John, it is Augustus who has commanded most attention from collectors and connoisseurs.
Was he really the finer artist, asks Tanya Harrod, or is it time Gwen emerged from her brother’s shadow?
Tanya Harrod - Cut from the Same Canvas
Tanya Harrod: Cut from the Same Canvas - Artists, Siblings, Visionaries: The Lives and Loves of Gwen and Augustus John by Judith Mackrell
literaryreview.co.uk