Max Egremont
Portrait of a Failed Artist
Hitler and the Power of Aesthetics
By Frederic Spotts
Hutchinson 488pp £25
As books on the Third Reich still pour out, the Germans must wonder if they will ever be rid of Adolf Hitler, for everything German is still measured against him. We cherish our stereotypes, and the Fascist German and the collaborating Frenchman are a macabre but oddly comforting pair of nasty foreigners. More seriously, the enormity of w h at the Nazis did still hampers German efforts in international politics, and even in literature and art. Will Germany ever be seen as a normal country again, puzzled younger Germans must ask, as new revelations make the Nazis seem even worse or prove how very popular they were?
Part of this problem is the fascination of Hitler himself. The historian Ian Kershaw has said that Hitler had no personality outside politics, implying that we shouldn’t waste time on the trivia of his extracurricular activities. But of course, as well as being a monster, he combined brutal political genius
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
It wasn’t until 1825 that Pepys’s diary became available for the first time. How it was eventually decrypted and published is a story of subterfuge and duplicity.
Kate Loveman tells the tale.
Kate Loveman - Publishing Pepys
Kate Loveman: Publishing Pepys
literaryreview.co.uk
Arthur Christopher Benson was a pillar of the Edwardian establishment. He was supremely well connected. As his newly published diaries reveal, he was also riotously indiscreet.
Piers Brendon compares Benson’s journals to others from the 20th century.
Piers Brendon - Land of Dopes & Tories
Piers Brendon: Land of Dopes & Tories - The Benson Diaries: Selections from the Diary of Arthur Christopher Benson by Eamon Duffy & Ronald Hyam (edd)
literaryreview.co.uk
Of the siblings Gwen and Augustus John, it is Augustus who has commanded most attention from collectors and connoisseurs.
Was he really the finer artist, asks Tanya Harrod, or is it time Gwen emerged from her brother’s shadow?
Tanya Harrod - Cut from the Same Canvas
Tanya Harrod: Cut from the Same Canvas - Artists, Siblings, Visionaries: The Lives and Loves of Gwen and Augustus John by Judith Mackrell
literaryreview.co.uk