Norma Clarke
Portrait of the Artist as a Young Woman
Pauline Boty: British Pop Art’s Sole Sister
By Marc Kristal
Frances Lincoln 256pp £25
In October 2013, Marc Kristal popped into Christie’s to get out of the rain and saw an exhibition called ‘When Britain Went Pop: British Pop Art – The Early Years’. His attention was caught by two paintings, one by David Hockney, with whose work he was familiar, and the other, a large mixed-media canvas from 1964 entitled It’s a Man’s World I, by an artist wholly new to him, Pauline Boty. This collage-type painting, featuring portraits of famous men from Elvis Presley to Einstein and Lenin, seemed ‘at once light-hearted and pitiless’. He also, surprisingly, judged it to be a self-portrait. His interest in the artist was piqued.
Boty graduated from Wimbledon School of Art in 1958, went on to the Royal College of Art (RCA) and was one of the few women in the British Pop Art movement of the 1960s. She can be seen alongside Peter Blake and others in Ken Russell’s 1962 BBC documentary Pop Goes the Easel. She was fresh, bold, beautiful, a feminist, full of life and cheek. ‘All over the country,’ she wrote, ‘young girls are sprouting, shouting and shaking, and if they terrify you, they mean to and they are beginning to impress the world.’ Alas Boty didn’t have long to terrify or impress. Diagnosed with leukaemia in early pregnancy, she decided to delay treatment so that her baby would survive. She died at twenty-eight in 1966. Her work disappeared. In the early 1990s, when the Barbican was planning the exhibition ‘The Sixties Art Scene in London’, Boty’s daughter took the curator, David Alan Mellor, to Kent, where the family had stored her canvases. Liking what he saw, he included some in the exhibition and in a small way a revival began.
Kristal’s book is a full-scale celebration of Boty’s life that puts her into the history of the movement. There are some surprises. It turns out that Boty began by studying stained glass, which at Wimbledon School of Art was apparently the hip thing to do, as was ‘learning
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
Knowledge of Sufism increased markedly with the publication in 1964 of The Sufis, by Idries Shah. Nowadays his writings, much like his father’s, are dismissed for their Orientalism and inaccuracy.
@fitzmorrissey investigates who the Shahs really were.
Fitzroy Morrissey - Sufism Goes West
Fitzroy Morrissey: Sufism Goes West - Empire’s Son, Empire’s Orphan: The Fantastical Lives of Ikbal and Idries Shah by Nile Green
literaryreview.co.uk
Rats have plagued cities for centuries. But in Baltimore, researchers alighted on one surprising solution to the problem of rat infestation: more rats.
@WillWiles looks at what lessons can be learned from rat ecosystems – for both rats and humans.
Will Wiles - Puss Gets the Boot
Will Wiles: Puss Gets the Boot - Rat City: Overcrowding and Urban Derangement in the Rodent Universes of John B ...
literaryreview.co.uk
Twisters features destructive tempests and blockbuster action sequences.
@JonathanRomney asks what the real danger is in Lee Isaac Chung's disaster movie.
https://literaryreview.co.uk/eyes-of-the-storm