Samantha Ellis
Prospero Imprisoned
When the Hogarth Shakespeare series was first announced, the idea of commissioning writers to ‘reimagine Shakespeare’s plays for the 21st century’ was met by some with mistrust. To those working in theatre, however, it didn’t feel like an affront: reimagining Shakespeare is what directors, designers and actors do each time they embark on a new production. So it’s both appropriate and rather thrilling that Margaret Atwood retells The Tempest from the perspective of a director with big ideas about Shakespeare’s tricksy late romance.
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Last Tweets