John B Thompson
Reinventing the Book
The book publishing industry has fared surprisingly well during the pandemic. When the first lockdown was announced in spring 2020, many publishers feared the worst. Bookshops were forced to close and supply chains were disrupted, with the result that sales plummeted. But they bounced back remarkably quickly and many publishers finished the year strongly. Once again, the book business proved to be more resilient than many had thought.
The challenges posed by the pandemic are only the most recent in a long series of disruptions, threats and opportunities that have affected book publishing since the 1990s, precipitated above all by the digital revolution. Like other sectors of the media and creative industries, book publishing was particularly exposed to digital disruption. It suddenly became possible to create, transmit and consume books in new ways, freed from the constraints imposed by the physical book. This opened up a spectrum of possibilities in terms of creating new kinds of books. At one end of that spectrum
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It wasn’t until 1825 that Pepys’s diary became available for the first time. How it was eventually decrypted and published is a story of subterfuge and duplicity.
Kate Loveman tells the tale.
Kate Loveman - Publishing Pepys
Kate Loveman: Publishing Pepys
literaryreview.co.uk
Arthur Christopher Benson was a pillar of the Edwardian establishment. He was supremely well connected. As his newly published diaries reveal, he was also riotously indiscreet.
Piers Brendon compares Benson’s journals to others from the 20th century.
Piers Brendon - Land of Dopes & Tories
Piers Brendon: Land of Dopes & Tories - The Benson Diaries: Selections from the Diary of Arthur Christopher Benson by Eamon Duffy & Ronald Hyam (edd)
literaryreview.co.uk
Of the siblings Gwen and Augustus John, it is Augustus who has commanded most attention from collectors and connoisseurs.
Was he really the finer artist, asks Tanya Harrod, or is it time Gwen emerged from her brother’s shadow?
Tanya Harrod - Cut from the Same Canvas
Tanya Harrod: Cut from the Same Canvas - Artists, Siblings, Visionaries: The Lives and Loves of Gwen and Augustus John by Judith Mackrell
literaryreview.co.uk