The Ground Beneath Her Feet by Salman Rushdie - review by Alastair Niven

Alastair Niven

Rock ‘n’ Quake

The Ground Beneath Her Feet


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This is Salman Rushdie's Diana novel. It is also his Orpheus and Eurydice novel, his rock 'n' roll novel, and his attempt to weave together traditions of myth, fable, postmodernist fiction and popular culture. The result, although the author is occasionally seduced by lists and discussions, is ebullient, versatile and riveting. Rushdie may have written novels that are politically sharper, and to some extent we have become used to his cleverness, but he has written nothing which bounces along with such sustained brio. To those readers (and I seem to know a lot of them) who say, 'I've already tried Rushdie but I always give up around page 50': try this one. It sucks you in as remorselessly as the earth swallows its heroine in the massive earthquake with which the novel opens.

Vina Apsara is the most famous woman in the world, a pop star who enthrals continents. Her sexual charge is seismic, her musicianship dazzling, her destiny epic. She is loved by Ormus Cama, the Orphean pop star who devotes his whole life to pursuing, wooing, craving, marrying or lamenting her.

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