William Palmer
Sax Life: Five Books About Jazz
The subtitle of the new biography of John Coltrane by Ben Ratliff, Coltrane: The Story of a Sound, gets it exactly right. The point of jazz is that it is a personal way of ‘telling a story’, as Lester Young put it. As a young man Coltrane was a journeyman sax player of no particular interest, one of thousands. What eventually marked him out was his incessant experimentation with new ways of playing. By the time he joined Miles Davis’s quintet in 1955 he had developed a powerful style that did not always fit with the rest of the band. When Davis asked him why he played for so long, Coltrane said he couldn’t stop himself. ‘Try taking it out of your mouth’ was Davis’s laconic reply.
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
'Only in Britain, perhaps, could spy chiefs – conventionally viewed as masters of subterfuge – be so highly regarded as ethical guides.'
https://literaryreview.co.uk/the-spy-who-taught-me
In this month's Bookends, @AdamCSDouglas looks at the curious life of Henry Labouchere: a friend of Bram Stoker, 'loose cannon', and architect of the law that outlawed homosexual activity in Britain.
https://literaryreview.co.uk/a-gross-indecency
'We have all twenty-nine of her Barsetshire novels, and whenever a certain longing reaches critical mass we read all twenty-nine again, straight through.'
Patricia T O'Conner on her love for Angela Thirkell. (£)
https://literaryreview.co.uk/good-gad