Nakul Krishna
Slave Revolt
Three novels and a collection of short stories on, it is beginning to be clear that Aravind Adiga has claimed a piece of literary terrain for his own and devised a style to go with it. That terrain is urban India; his characters are the working and lower-middle classes – on the make, fired by ressentiment and far from idle. The ancestral village is for many of them a living memory. Adiga’s city, temptress and abuser, maintains a permanent assault on the individual’s integrity.
@Lit_Review
Follow Literary Review on Twitter
Last Tweets