Crispin Jackson
Striking Blows For Freedom
The Greatest Fight of Our Generation: Louis vs Schmeling
By Lewis A Erenberg
Oxford University Press 320pp £16.99
Beyond Glory: Max Schmeling vs Joe Louis, and a World on the Brink
By David Margolick
Bloomsbury 432pp £18.99
The defeat of heavyweight boxer Joe Louis by Max Schmeling in 1936 was one of the greatest upsets in boxing history. It was also an unfortunate one. Louis was young, black, apparently clean-living and possessed of a God-given ability to knock out opponents with either hand. He was widely expected to win the world title and so end the racial segregation that still blighted the sport. Though affable and generally liked in the US, the much older Schmeling had one irredeemable fault: he was German, and his twelfth-round knockout of Louis was inevitably seized upon by the Nazis as proof of their racist theories. ‘The last round is quite wonderful,’ Goebbels noted in his diary after watching the film of the fight. ‘He really knocks out the nigger.’
Their second meeting in the ring in June 1938 – by which time Louis had taken the title from the game but pedestrian James J Braddock – was a contest of colossal symbolic importance as it forced white America to choose between a white boxer who, however inadvertently, represented a
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It wasn’t until 1825 that Pepys’s diary became available for the first time. How it was eventually decrypted and published is a story of subterfuge and duplicity.
Kate Loveman tells the tale.
Kate Loveman - Publishing Pepys
Kate Loveman: Publishing Pepys
literaryreview.co.uk
Arthur Christopher Benson was a pillar of the Edwardian establishment. He was supremely well connected. As his newly published diaries reveal, he was also riotously indiscreet.
Piers Brendon compares Benson’s journals to others from the 20th century.
Piers Brendon - Land of Dopes & Tories
Piers Brendon: Land of Dopes & Tories - The Benson Diaries: Selections from the Diary of Arthur Christopher Benson by Eamon Duffy & Ronald Hyam (edd)
literaryreview.co.uk
Of the siblings Gwen and Augustus John, it is Augustus who has commanded most attention from collectors and connoisseurs.
Was he really the finer artist, asks Tanya Harrod, or is it time Gwen emerged from her brother’s shadow?
Tanya Harrod - Cut from the Same Canvas
Tanya Harrod: Cut from the Same Canvas - Artists, Siblings, Visionaries: The Lives and Loves of Gwen and Augustus John by Judith Mackrell
literaryreview.co.uk