August 2021 Issue
Adrian Tinniswood
Purple Prose
The World According to Colour: A Cultural History
By James Fox
January 1988 Issue
Patrick Taylor-Martin
Nothing but the Trews
A Life is Too Short
By Nicholas Fairbairn
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Christopher Butler
Modernist Market
Has Modernism Failed?
By Suzi Gablik
But Is It Art?
By B R Tilghman
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July 2019 Issue
David Blackbourn
Propaganda & Purges
Culture in Nazi Germany
By Michael H Kater
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October 2018 Issue
Michael Prodger
Hiroshige on His Mind
Japanese Prints: The Collection of Vincent van Gogh
By Chris Uhlenbeck, Louis van Tilborgh & Shigeru Oikawa
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July 2018 Issue
Susan Owens
Traditionalists & Exhibitionists
The Royal Academy of Arts: History and Collections
By Robin Simon with MaryAnne Stevens (edd)
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December 1993 Issue
Claus von Bülow
Why the French are so Superior
Paris: An Architectural History
By Anthony Sutcliffe
An Architect's Paris
By Thomas Carlson-Reddig
Paris Spring 1933, Facsimile of 30 Lithographs
By Fedor Rojankowski
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October 2015 Issue
Charles Saumarez Smith
Art for Everyone
The People’s Galleries: Art Museums & Exhibitions in Britain, 1800–1914
By Giles Waterfield
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August 2006 Issue
William Packer
Sex, Too, Is Useful
Creators: From Chaucer to Walt Disney
By Paul Johnson
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August 2014 Issue
Alex Danchev
Band of Bohemians
In Montmartre: Picasso, Matisse and Modernism in Paris 1900–1910
By Sue Roe
LR
August 2014 Issue
Brian Dillon
Lost Soles
A Shoe Story: Van Gogh, the Philosophers and the West
By Lesley Chamberlain
LR
December 2007 Issue
A C Grayling
Simply Hideous
The Complement of Beauty On Ugliness
By Umberto Eco
LR
October 2007 Issue
John Gray
Split Religion
Creation: Artists, Gods and Origins
By Peter Conrad
LR
April 2006 Issue
Michael Prodger
Brushes at Twenty Paces
The Judgement of Paris: Manet, Meissonier and an Artistic Revolution
By Ross King
LR
June 2005 Issue
Lucy Trench
The War of the Rainbow
A Perfect Red: Empire, Espionage and the Quest for the Colour of Desire
By Amy Butler Greenfield
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June 2013 Issue
Alexandra Harris
The Brush & the Set Square
Paul Nash: Landscape and the Life of Objects
By Andrew Causey
LR
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London's East End was long synonymous with poverty and sweatshops, while its West End was associated with glamour and high society. But when it came to the fashion industry, were the differences really so profound?
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