A. D. Moody
The Fifties Pint Poet
Tradition and Experiment in English Poetry
By Philip Hobsbaum
Macmillan 343pp £12.00
This is an informal history of poetry in English from Piers Plowman to the major figures of the mid-twentieth century, namely Peter Redgrove, Francis Berry, Galway Kinnell and Patrick Kavanagh. Its argument is that the central tradition of English poetry is earthy, alliterative, colloquial, with a strong regard for structure and the claims of plot. Whole alien tracts of subject-matter have been assimilated to this tradition. But from time to time the mistake has been made of imitating the style and not just the content of foreign modes: this is experiment, and it goes against the tradition.
The basic form in English is that of Piers Plowman – or rather just the first half of it. For scholars have made the mistake of lumping together two quite distinct poems, the 'Visio' which is pithy, proverbial, local, alliterative and narrative, and the 'Vita' which is dismally dull and
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
‘The Second World War was won in Oxford. Discuss.’
@RankinNick gives the question his best shot.
Nicholas Rankin - We Shall Fight in the Buttery
Nicholas Rankin: We Shall Fight in the Buttery - Oxford’s War 1939–1945 by Ashley Jackson
literaryreview.co.uk
For the first time, all of Sylvia Plath’s surviving prose, a massive body of stories, articles, reviews and letters, has been gathered together in a single volume.
@FionaRSampson sifts it for evidence of how the young Sylvia became Sylvia Plath.
Fiona Sampson - Changed in a Minute
Fiona Sampson: Changed in a Minute - The Collected Prose of Sylvia Plath by Peter K Steinberg (ed)
literaryreview.co.uk
The ruling class has lost its sprezzatura.
On porky rolodexes and the persistence of elite reproduction, for the @Lit_Review: