Amanda Craig
The Glasgow Boy
Jane Harris’s second novel is narrated by a spinster, the elderly Harriet Baxter, and concerns her relationship with a Glaswegian artist, Gillespie, and his family. Like The Observations before it, Gillespie and I presents a disorienting view of a household in which not everything is as it first appears.
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Sign up to our e-newsletter and get highlights from the new issue and gems from the archive, as well as exclusive competitions and subscription offers straight to your inbox.
https://literaryreview.co.uk/freenewsletter
'These are first thoughts, but they’re made to last, in a way that makes you wonder how well something that feels so raw really can last.'
@sarahditum weighs up the final book in Ali Smith's seasonal quartet.
https://literaryreview.co.uk/seasons-heatings
Enjoying Susan Owens’s essay on English attitudes to nature in @Lit_Review. Turns out the early moderns were positively repulsed by hills, as described in this poem by Isaak Walton’s fishing chum Charles Cotton.