Timothy Brook
The Jesuit Who Didn’t Laugh Much
This may be an odd thing for a China historian to admit, but I feel uneasy about claiming Matteo Ricci as my ancestor. His name may be unfamiliar to most readers, but as soon as you enter the field of imperial Chinese history Matteo Ricci will be the second European you meet – after the ubiquitous Marco Polo. Ricci was born in Italy in 1552, three centuries after Polo, and the China he entered – ruled by the Ming, a native dynasty intensely protective of its borders at a time when Mongols, Japanese, and Europeans were doing their best to destabilise them – was very different from the expansive Mongol rule of the preceding Yuan dynasty, when foreigners flowed through China in unprecedented numbers.
Polo and Ricci travelled east for different purposes. Yuan China received its missionaries, but Polo was there to make money, trading gems for lucrative trade contracts. Ming China received its merchants, but as it forbade them from entering the country other than to attend the annual Canton trade
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It wasn’t until 1825 that Pepys’s diary became available for the first time. How it was eventually decrypted and published is a story of subterfuge and duplicity.
Kate Loveman tells the tale.
Kate Loveman - Publishing Pepys
Kate Loveman: Publishing Pepys
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Arthur Christopher Benson was a pillar of the Edwardian establishment. He was supremely well connected. As his newly published diaries reveal, he was also riotously indiscreet.
Piers Brendon compares Benson’s journals to others from the 20th century.
Piers Brendon - Land of Dopes & Tories
Piers Brendon: Land of Dopes & Tories - The Benson Diaries: Selections from the Diary of Arthur Christopher Benson by Eamon Duffy & Ronald Hyam (edd)
literaryreview.co.uk
Of the siblings Gwen and Augustus John, it is Augustus who has commanded most attention from collectors and connoisseurs.
Was he really the finer artist, asks Tanya Harrod, or is it time Gwen emerged from her brother’s shadow?
Tanya Harrod - Cut from the Same Canvas
Tanya Harrod: Cut from the Same Canvas - Artists, Siblings, Visionaries: The Lives and Loves of Gwen and Augustus John by Judith Mackrell
literaryreview.co.uk