Geoff Mills
The Plagiarist’s Tale
Last Resort
By Andrew Lipstein
Weidenfeld & Nicolson 304pp £14.99
One drunken, lachrymose Los Angeles evening, Caleb Horowitz, a young, ambitious writer, listens to his glamorous frenemy Avi Dietsch confess to a polyamorous entanglement on a Greek island. The story – sad, steamy and full of soul – is the stuff of novels; indeed the next day Avi hands his story over to Caleb in manuscript form. Caleb instantly purloins the narrative, ditching the stale prose and his ethics to transform it into a bestseller. The legal fallout obliges Caleb to accept a Faustian bargain which leaves him haunted by questions of authenticity, originality and artistic success.
Caleb, the morally ambiguous, self-deluding narrator, tells his tale in conversational, if occasionally elliptical, prose. A digital native immersed in the world of the internet, Caleb is compulsively attached to his mobile and the thriller-esque plot is propelled forward by a slew of live-action updates: his phone is perpetually
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
It wasn’t until 1825 that Pepys’s diary became available for the first time. How it was eventually decrypted and published is a story of subterfuge and duplicity.
Kate Loveman tells the tale.
Kate Loveman - Publishing Pepys
Kate Loveman: Publishing Pepys
literaryreview.co.uk
Arthur Christopher Benson was a pillar of the Edwardian establishment. He was supremely well connected. As his newly published diaries reveal, he was also riotously indiscreet.
Piers Brendon compares Benson’s journals to others from the 20th century.
Piers Brendon - Land of Dopes & Tories
Piers Brendon: Land of Dopes & Tories - The Benson Diaries: Selections from the Diary of Arthur Christopher Benson by Eamon Duffy & Ronald Hyam (edd)
literaryreview.co.uk
Of the siblings Gwen and Augustus John, it is Augustus who has commanded most attention from collectors and connoisseurs.
Was he really the finer artist, asks Tanya Harrod, or is it time Gwen emerged from her brother’s shadow?
Tanya Harrod - Cut from the Same Canvas
Tanya Harrod: Cut from the Same Canvas - Artists, Siblings, Visionaries: The Lives and Loves of Gwen and Augustus John by Judith Mackrell
literaryreview.co.uk