Susan Scott-Parker
The Real Whores of War
War novel nasties can usually be spotted by their titles: The Whores of War, Wheels of Terror, Slaughterground, Cauldron of Blood, Mountain of Skulls, Reign of Hell, Blood on the Baltic. The dust jackets promise demon heroes, corpse-strewn landscapes, sadism and blood. Inside, brutal men, ‘living outside the normal boundaries of reason and fear’, burn, loot, rape and murder their way across the battlefields of an hallucinatory World War Two. These caricatures, owing allegiance to nothing, have been dying in their lurid wasteland since the early 1950s when Sven Hassell’s The Legion of the Damned was first published. Unlike video-nasties, these novels have been around long enough to become quite respectable. Just ask at any W H Smiths or Menzies or local library.
Yet despite their continued popularity, the origins, the readership, even the writers of these war nasties remain obscure. The publishers will say little; only that the great majority of their readers are men and that the books sell very well indeed. Sven Hassell has sold more than sixty million novels
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
It wasn’t until 1825 that Pepys’s diary became available for the first time. How it was eventually decrypted and published is a story of subterfuge and duplicity.
Kate Loveman tells the tale.
Kate Loveman - Publishing Pepys
Kate Loveman: Publishing Pepys
literaryreview.co.uk
Arthur Christopher Benson was a pillar of the Edwardian establishment. He was supremely well connected. As his newly published diaries reveal, he was also riotously indiscreet.
Piers Brendon compares Benson’s journals to others from the 20th century.
Piers Brendon - Land of Dopes & Tories
Piers Brendon: Land of Dopes & Tories - The Benson Diaries: Selections from the Diary of Arthur Christopher Benson by Eamon Duffy & Ronald Hyam (edd)
literaryreview.co.uk
Of the siblings Gwen and Augustus John, it is Augustus who has commanded most attention from collectors and connoisseurs.
Was he really the finer artist, asks Tanya Harrod, or is it time Gwen emerged from her brother’s shadow?
Tanya Harrod - Cut from the Same Canvas
Tanya Harrod: Cut from the Same Canvas - Artists, Siblings, Visionaries: The Lives and Loves of Gwen and Augustus John by Judith Mackrell
literaryreview.co.uk