Imagine a research scientist at the age of twenty-four, James (Jim) D Watson. At that age, most of his peers would be checking out which lab to begin their PhD studies in; Watson, however, had not only finished his PhD but had already shared the greatest discovery in biology of the twentieth century. In Life Story, the superb 1987 TV docudrama, the quest for the structure of DNA climaxes with a triumph, the revelation of the double helix of DNA. Afterwards, Watson is with his sister on a bridge over the river Cam. She asks him why he is so quiet. ‘I’m 24 years old,’ he says. ‘Nothing’ll ever come close again.’ Life Story was right about that.
Follow Literary Review on Twitter
'When the language starts functioning as a character in fiction, when it is there drawing attention to itself ... It’s not anything that anybody really takes seriously.'
Our interview with Anthony Burgess from 1983.
'Sabotage became so prevalent that bankers even created their own terms – ‘asymmetric information’, ‘lack of financial literacy’, ‘the principal-agent dilemma’ – to describe how they might turn a dime from customers’ gullibility or ignorance.'
'Unlike much that was extracted from India, these paintings were not plunder, and those who created them were properly remunerated and often received due credit.'
@PParkerWriting on 'Forgotten Masters: Indian Painting for the East India Company'.