Titus Andronicus has always been the joker in the Shakespeare pack. The play is violent even by Elizabethan standards and not only violent but gruesomely and grotesquely horrible. Not surprisingly, therefore, it could never be made to conform to the image of Shakespeare evolved in Victorian England. The presence in the Shakespeare canon of such an unwholesome work was an embarrassment; and in time means were found to ease the situation.
Follow Literary Review on Twitter
The minimalist Fumio Sasaki 'confesses that as he began to purchase fewer consumer goods, his meals shrank in size. He decluttered and lost weight. Accumulation is not just an economic way of life but a form of embodiment too. Enlightenment is reduction.'
'The river’s desecration mirrors Colombia’s long history of violence: "for years we treated it like a sewer," says Ahmed, a survivor of a particularly brutal paramilitary massacre, "just like we treated each other".'
Patrick Wilcken on the Magdalena.
It's 'all lively and entertaining but rather too black and white. Her account of British politics and the success of the Brexit campaign verges on the cartoonish.'
@David_Goodhart on Anne Applebaum's 'Twilight on Democracy'.