Sophia Waugh
Village People
In 1999 Joanne Harris made her name with her third novel, Chocolat. None of her books since then has had quite the same effect, particularly not the disappointing psychological thriller blueeyedboy. In Peaches for Monsieur le Curé Harris returns not only to the characters of Chocolat – these have already been revisited in The Lollipop Shoes – but also to the setting, Lansquenet, a village in the south of France. Perhaps she should never have gone away.
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
With just a few days to go until the first issue of the new decade, does anyone recognise the stern figure on our February cover?
'Fiona Shaw, in Jonathan Miller’s production, is the best shrew I have seen. She starts off in a mustard yellow dress with a mustard sharp tongue.'
From the archive, Kate Kellaway on a 1988 production of 'The Taming of the Shrew'.
http://ow.ly/TWfX50y2Udw
'He was not a revolutionary at all of course. He was only marginally a socialist. His tradition was rooted in the Liberal aristocracy, and his politics were entirely bounded by Parliament.'
From the archive, Paul Foot on Tony Benn's diaries.
http://ow.ly/3VBf50y0Ebe