David Patrikarakos
We Know Who You Are
The Age of Surveillance Capitalism: The Fight for the Future at the New Frontier of Power
By Shoshana Zuboff
Profile Books 691pp £25
Like many of the best books that traffic in ideas, Shoshana Zuboff’s The Age of Surveillance Capitalism starts out with a simple question: ‘Can the digital future be our home?’ She quotes, as a point of comparison, a paper mill manager who asked her (as far back as 1981), ‘Are we all going to be working for a smart machine, or will we have smart people around the machine?’
But this is not another (by now unnecessary) book on job automation and the fear of robots sending us all to the dole queue – assuming mass state welfare will still exist in the future, which it probably won’t. Zuboff posits that we are entering a future designed not by Ridley Scott but by Adam Smith – had he had access to our most intimate thoughts. Zuboff understands perhaps the fundamental principle of our age: the digital is always political.
The book starts with a definition of ‘surveillance capitalism’ in the form of eight declarative statements. The first two define it as ‘a new economic order that claims human experience as free raw material for hidden commercial practices of extraction, prediction, and sales’ and as ‘a parasitic economic
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
Margaret Atwood has become a cultural weathervane, blamed for predicting dystopia and celebrated for resisting it. Yet her ‘memoir of sorts’ reveals a more complicated, playful figure.
@sophieolive introduces us to a young Peggy.
Sophie Oliver - Ms Fixit’s Characteristics
Sophie Oliver: Ms Fixit’s Characteristics - Book of Lives: A Memoir of Sorts by Margaret Atwood
literaryreview.co.uk
For a writer so ubiquitous, George Orwell remains curiously elusive. His voice is lost, his image scarce; all that survives is the prose, and the interpretations built upon it.
@Dorianlynskey wonders what is to be done.
Dorian Lynskey - Doublethink & Doubt
Dorian Lynskey: Doublethink & Doubt - Orwell: 2+2=5 by Raoul Peck (dir); George Orwell: Life and Legacy by Robert Colls
literaryreview.co.uk
The court of Henry VIII is easy to envision thanks to Hans Holbein the Younger’s portraits: the bearded king, Anne of Cleves in red and gold, Thomas Cromwell demure in black.
Peter Marshall paints a picture of the artist himself.
Peter Marshall - Varnish & Virtue
Peter Marshall: Varnish & Virtue - Holbein: Renaissance Master by Elizabeth Goldring
literaryreview.co.uk