Heather Brooke
Who Pays?
The People’s Platform: Taking Back Power and Culture in the Digital Age
By Astra Taylor
Fourth Estate 276pp £12.99
It’s often interesting to transpose online behaviours into the real world. We’d think someone unhinged if they gave us a flyer with lots of flattering photographs of themselves and a list of their achievements. Yet this type of self-disclosure is normal thanks to social networking. Astra Taylor argues in The People’s Platform that this change of propriety isn’t so much because digital natives are more narcissistic than other generations but rather they are keenly aware that they are judged by their online selves – or ‘personal brands’ – in a way previous generations were not. The logic of the box office and bestseller has been applied to people, something Taylor laments: ‘To compete, we are told we have no choice but to participate in the culture of disclosure … We live in public in part because we believe we have to.’
Taylor makes a compelling argument that the beneficiaries of the ‘openness’ and ‘free culture’ movement that has so defined the web are not individuals but new media moguls and the advertisers they serve. She is keenly attuned to power, a rare quality among those who write about the internet, who tend to fall into two camps: proselytising techno-utopians or gimmicky
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
It wasn’t until 1825 that Pepys’s diary became available for the first time. How it was eventually decrypted and published is a story of subterfuge and duplicity.
Kate Loveman tells the tale.
Kate Loveman - Publishing Pepys
Kate Loveman: Publishing Pepys
literaryreview.co.uk
Arthur Christopher Benson was a pillar of the Edwardian establishment. He was supremely well connected. As his newly published diaries reveal, he was also riotously indiscreet.
Piers Brendon compares Benson’s journals to others from the 20th century.
Piers Brendon - Land of Dopes & Tories
Piers Brendon: Land of Dopes & Tories - The Benson Diaries: Selections from the Diary of Arthur Christopher Benson by Eamon Duffy & Ronald Hyam (edd)
literaryreview.co.uk
Of the siblings Gwen and Augustus John, it is Augustus who has commanded most attention from collectors and connoisseurs.
Was he really the finer artist, asks Tanya Harrod, or is it time Gwen emerged from her brother’s shadow?
Tanya Harrod - Cut from the Same Canvas
Tanya Harrod: Cut from the Same Canvas - Artists, Siblings, Visionaries: The Lives and Loves of Gwen and Augustus John by Judith Mackrell
literaryreview.co.uk