Sara Wheeler
Writing their Own Romance
Darling Pol: The Letters of Mary Wesley and Eric Siepmann 1944–1967
By Patrick Marnham (ed)
Harvill Secker 308pp £20
Mary Wesley became a literary star in 1983, when she published her first novel at the age of seventy. By that time her second husband, Eric Siepmann, himself a writer of sorts, was dead. They had met in 1944 in the Palm Court of the Ritz, bombs tumbling around them. They were both married. She worked for MI5 and had two children. He was serving in the Royal Marines. They fell in love immediately and had to face many challenges – in one letter she describes their determination to be together as ‘an Alpine climb’.
The letters cover twenty-four years, beginning four days after they met. They were often apart, sometimes for long periods. Their lives were a roller-coaster ride of different jobs and houses, hotel stays and drinks at the Gargoyle Club. She was a risk-taker (Siepmann was one of her risks,
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
Margaret Atwood has become a cultural weathervane, blamed for predicting dystopia and celebrated for resisting it. Yet her ‘memoir of sorts’ reveals a more complicated, playful figure.
@sophieolive introduces us to a young Peggy.
Sophie Oliver - Ms Fixit’s Characteristics
Sophie Oliver: Ms Fixit’s Characteristics - Book of Lives: A Memoir of Sorts by Margaret Atwood
literaryreview.co.uk
For a writer so ubiquitous, George Orwell remains curiously elusive. His voice is lost, his image scarce; all that survives is the prose, and the interpretations built upon it.
@Dorianlynskey wonders what is to be done.
Dorian Lynskey - Doublethink & Doubt
Dorian Lynskey: Doublethink & Doubt - Orwell: 2+2=5 by Raoul Peck (dir); George Orwell: Life and Legacy by Robert Colls
literaryreview.co.uk
The court of Henry VIII is easy to envision thanks to Hans Holbein the Younger’s portraits: the bearded king, Anne of Cleves in red and gold, Thomas Cromwell demure in black.
Peter Marshall paints a picture of the artist himself.
Peter Marshall - Varnish & Virtue
Peter Marshall: Varnish & Virtue - Holbein: Renaissance Master by Elizabeth Goldring
literaryreview.co.uk