John Adamson
Wrong But Wromantic
Cavalier: A Tale of Chivalry, Passion and Great Houses
By Lucy Worsley
Faber & Faber 332pp £20 order from our bookshop
Clio, the Muse of History, is doubtless the most sensible and bluestocking of the nine sisters; but over the last century or so she has seemed to bestow her gifts of inspiration with a highly partisan (and, at times, downright Whiggish) hand. The choice of who, among historical figures past, is accorded a biography is a case in point. During the seventeenth century, for example, it is the Parliamentarian radicals, the alleged precursors of modernity, that hog the biographical limelight: thus there are a dozen biographies of the Leveller leader and ‘democrat’, John Lilburne, for every one devoted to even the most important of the Roundhead patrician grandees. Even such central figures as the Earls of Warwick or Essex – ‘Who they?’ the reader well might ask – have languished in scholarly obscurity, as historians more often looked for subjects who could be made to seem relevant to the here-and-now, rather than those who actually mattered to their contemporaries.
To be a Royalist nobleman, however – not just ‘Wrong but Wromantic’, in the famous phrase of 1066 and All That, but ‘Wreactionary’ as well – was to be consigned to an outer circle of bien-pensant disdain. On the high road from the medieval world to modernity, these were men
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
'Foreign-policy pundits, then as now, tended to lack subtlety, even if they could be highly articulate about a nation they did not like very much.'
Read Lucy Wooding's review of Clare Jackson's 'Devil-Land', which has won the @WolfsonHistory prize.
https://literaryreview.co.uk/the-view-from-across-the-channel
From the First World War to Evelyn Waugh: @DaisyfDunn takes us into the world of Oxford between the wars.
Generously supported by @Lit_Review
#CVHF #AmazingHistory #UniversityofOxford
'That they signify something is not in question. Yet how to interpret the symbols of a long-vanished society? What would the inhabitants of the 50th century make of the ubiquity of crosses in Europe?'
Hilary Davies on the art of the Lascaux caves.
https://literaryreview.co.uk/poems-of-the-underground