D J Taylor
Told by a Dog
King: A Street Story
By John Berger
Bloomsbury 231pp £14.99
In the second volume of his memoirs, Messengers of Day (1978), Anthony Powell records a 1930s dinner party conversation with Dame Rose Macaulay. No, this lady remarked of some recently published novel (possibly Evelyn Waugh's A Handful of Dust), she hadn't read it yet: besides, adultery in Mayfair wasn't a very interesting subject. 'Why shouldn't you think that an interesting subject?' Powell wondered. Quite right, she hastily corrected herself. 'Subjects are entirely a matter of how they are treated by the writer.'
Indeed they are. All the same, discovering that John Berger's new novel is about some homeless people living in Paris, and is, additionally, narrated by a dog, one begins to think that Dame Rose's original assumption – that there are some subjects (and some treatments) that don't easily lend themselves
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
‘At times, Orbital feels almost like a long poem.’
@sam3reynolds on Samantha Harvey’s Orbital, the winner of this year’s @TheBookerPrizes
Sam Reynolds - Islands in the Sky
Sam Reynolds: Islands in the Sky - Orbital by Samantha Harvey
literaryreview.co.uk
Nick Harkaway, John le Carré's son, has gone back to the 1960s with a new novel featuring his father's anti-hero, George Smiley.
But is this the missing link in le Carré’s oeuvre, asks @ddguttenplan, or is there something awry?
D D Guttenplan - Smiley Redux
D D Guttenplan: Smiley Redux - Karla’s Choice by Nick Harkaway
literaryreview.co.uk
In the nine centuries since his death, El Cid has been presented as a prototypical crusader, a paragon of religious toleration and the progenitor of a united Spain.
David Abulafia goes in search of the real El Cid.
David Abulafia - Legends of the Phantom Rider
David Abulafia: Legends of the Phantom Rider - El Cid: The Life and Afterlife of a Medieval Mercenary by Nora Berend
literaryreview.co.uk