Sebastian Shakespeare
Oranges & Lemons
When the Orange Prize for Fiction was created in 1995, Auberon Waugh, formerly of this parish, rechristened it the Lemon Prize. The first literary prize to exclude men was denounced by Simon Jenkins as ‘sexist’ and A S Byatt said it ‘ghettoised’ women. Nearly thirteen years on and the prize is still with us and looking increasingly redundant. In 2007 female authors cleaned up all the major literary awards – the Booker (Anne Enright), the Costa Book of the Year (A L Kennedy) and the Nobel (Doris Lessing). There may have been an argument for championing women's fiction back when Martin Amis, Rushdie, Barnes et al exerted such a stranglehold on the market, but those days have long since gone. Women don't need a leg-up any more.
Last year I rather facetiously pointed out in a newspaper column that as the Orange Prize was about to enter its teenage years it would be only fitting for it to start flirting with the opposite sex. Rather than have an all-female judging panel, why not let men have a
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It wasn’t until 1825 that Pepys’s diary became available for the first time. How it was eventually decrypted and published is a story of subterfuge and duplicity.
Kate Loveman tells the tale.
Kate Loveman - Publishing Pepys
Kate Loveman: Publishing Pepys
literaryreview.co.uk
Arthur Christopher Benson was a pillar of the Edwardian establishment. He was supremely well connected. As his newly published diaries reveal, he was also riotously indiscreet.
Piers Brendon compares Benson’s journals to others from the 20th century.
Piers Brendon - Land of Dopes & Tories
Piers Brendon: Land of Dopes & Tories - The Benson Diaries: Selections from the Diary of Arthur Christopher Benson by Eamon Duffy & Ronald Hyam (edd)
literaryreview.co.uk
Of the siblings Gwen and Augustus John, it is Augustus who has commanded most attention from collectors and connoisseurs.
Was he really the finer artist, asks Tanya Harrod, or is it time Gwen emerged from her brother’s shadow?
Tanya Harrod - Cut from the Same Canvas
Tanya Harrod: Cut from the Same Canvas - Artists, Siblings, Visionaries: The Lives and Loves of Gwen and Augustus John by Judith Mackrell
literaryreview.co.uk