Peter Jones
What Did They Do For Us?
Full Circle: How the Classical World Came Back to Us
By Ferdinand Mount
Simon & Schuster 438pp £20
To declare an interest: for some years now I have been writing an occasional column in The Spectator, the aim of which is to throw ancient light on modern problems. What constantly strikes me is that, while our problems are frequently the same, the way the ancients approached them was very different. Ferdinand Mount, as he firmly emphasises in his introduction, finds himself impressed by the evidence for the opposite position, stating ‘how much we are like [the Greeks and the Romans], how in so many ways, large and small, trivial and profound, we are them and they are us’. It would not take an intellect of Aristotelian dimensions to foresee that I will broadly disagree.
Mount’s formulation of the thesis pinpoints the problem. ‘Greeks and Romans’ span for us the historical (as opposed to pre-historical) period of roughly 1400 BC to AD 500. If you had said to a Roman that he was a Greek, he would have thought you deranged. How we,
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
It wasn’t until 1825 that Pepys’s diary became available for the first time. How it was eventually decrypted and published is a story of subterfuge and duplicity.
Kate Loveman tells the tale.
Kate Loveman - Publishing Pepys
Kate Loveman: Publishing Pepys
literaryreview.co.uk
Arthur Christopher Benson was a pillar of the Edwardian establishment. He was supremely well connected. As his newly published diaries reveal, he was also riotously indiscreet.
Piers Brendon compares Benson’s journals to others from the 20th century.
Piers Brendon - Land of Dopes & Tories
Piers Brendon: Land of Dopes & Tories - The Benson Diaries: Selections from the Diary of Arthur Christopher Benson by Eamon Duffy & Ronald Hyam (edd)
literaryreview.co.uk
Of the siblings Gwen and Augustus John, it is Augustus who has commanded most attention from collectors and connoisseurs.
Was he really the finer artist, asks Tanya Harrod, or is it time Gwen emerged from her brother’s shadow?
Tanya Harrod - Cut from the Same Canvas
Tanya Harrod: Cut from the Same Canvas - Artists, Siblings, Visionaries: The Lives and Loves of Gwen and Augustus John by Judith Mackrell
literaryreview.co.uk