D J Taylor
Our Island Stories
As one of the many people who rushed to comment on What Ever Happened to Modernism? on the strength of an inflammatory article in The Guardian, I owe Gabriel Josipovici an apology. He has since written a piteous – but accurate – letter to the Times Literary Supplement regretting that the Guardian journalist ‘took a few sentences from one chapter of a fifteen chapter book … robbed those words of their nuance and context, and, on the basis of three telephone conversations in which I tried in vain to explain that I was not interested in personalities but in certain large and general literary and cultural issues, passed the whole thing off as an interview.’
In fact What Ever Happened to Modernism?, though trailed as a savage assault on such titans of the contemporary English bookshelf as Amis, McEwan and Barnes, turns out to be an exceptionally interesting piece of work. Like practically every academic study that approaches local culture from the angle
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
It wasn’t until 1825 that Pepys’s diary became available for the first time. How it was eventually decrypted and published is a story of subterfuge and duplicity.
Kate Loveman tells the tale.
Kate Loveman - Publishing Pepys
Kate Loveman: Publishing Pepys
literaryreview.co.uk
Arthur Christopher Benson was a pillar of the Edwardian establishment. He was supremely well connected. As his newly published diaries reveal, he was also riotously indiscreet.
Piers Brendon compares Benson’s journals to others from the 20th century.
Piers Brendon - Land of Dopes & Tories
Piers Brendon: Land of Dopes & Tories - The Benson Diaries: Selections from the Diary of Arthur Christopher Benson by Eamon Duffy & Ronald Hyam (edd)
literaryreview.co.uk
Of the siblings Gwen and Augustus John, it is Augustus who has commanded most attention from collectors and connoisseurs.
Was he really the finer artist, asks Tanya Harrod, or is it time Gwen emerged from her brother’s shadow?
Tanya Harrod - Cut from the Same Canvas
Tanya Harrod: Cut from the Same Canvas - Artists, Siblings, Visionaries: The Lives and Loves of Gwen and Augustus John by Judith Mackrell
literaryreview.co.uk