Adam Sisman
Crisis? What Crisis?
Biography is a genre in crisis, according to Michael Holroyd, one of the most respected biographers of modern times. The ‘golden age’ of biography has come and gone. Literary biography in particular is ‘tremendously out of fashion’.
Similar views are frequently heard in the book trade nowadays. Sales forecasts are lower than they were, and advances correspondingly smaller. Professional biographers are finding life hard. Not long ago it was reported that Victoria Glendinning, the author of several highly praised literary lives (at least one of which was a bestseller), was finding it difficult to obtain a commission for her latest project. Apparently the public no longer wants to read full-scale biographies; according to one publisher-turned-agent, ‘readers are bored by the form’.
Well, I disagree. Biography seems to me to be remarkably resilient. The best biographies being published now are as good as any that appeared in the past – and the worst just as bad. Whenever I hear a lament for the passing of a golden age, I suspect
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It wasn’t until 1825 that Pepys’s diary became available for the first time. How it was eventually decrypted and published is a story of subterfuge and duplicity.
Kate Loveman tells the tale.
Kate Loveman - Publishing Pepys
Kate Loveman: Publishing Pepys
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Arthur Christopher Benson was a pillar of the Edwardian establishment. He was supremely well connected. As his newly published diaries reveal, he was also riotously indiscreet.
Piers Brendon compares Benson’s journals to others from the 20th century.
Piers Brendon - Land of Dopes & Tories
Piers Brendon: Land of Dopes & Tories - The Benson Diaries: Selections from the Diary of Arthur Christopher Benson by Eamon Duffy & Ronald Hyam (edd)
literaryreview.co.uk
Of the siblings Gwen and Augustus John, it is Augustus who has commanded most attention from collectors and connoisseurs.
Was he really the finer artist, asks Tanya Harrod, or is it time Gwen emerged from her brother’s shadow?
Tanya Harrod - Cut from the Same Canvas
Tanya Harrod: Cut from the Same Canvas - Artists, Siblings, Visionaries: The Lives and Loves of Gwen and Augustus John by Judith Mackrell
literaryreview.co.uk