Frances Spalding
At Home in Kensington
From Life: Julia Margaret Cameron and Victorian Photography
By Victoria Olsen
Aurum 320pp £18.99
Julia Margaret Cameron: A Critical Biography
By Colin Ford
National Portrait Gallery 212pp £40
‘That was where it was!’ So Virginia Woolf’s mother, Julia Stephen, once cried aloud, while walking with her children down Melbury Road in Kensington. The area had revived childhood memories of Little Holland House, a rambling old farmhouse that her uncle and aunt, Thoby and Sara Prinsep, had leased in 1850 from the Holland family estate. In those days the area was still rural, although large houses with elaborate wrought-iron gates bordered the nearby Kensington High Street. Here Sara Prinsep held ‘at homes’, with the help of her Pattie sisters. All except one were famous for their beauty. The exception was Julia Margaret Cameron, a short, rather squat woman who, once she took to photography, often stank of chemicals. But although she did not have beauty, she spent her life in pursuit of it, enlisting family, friends and servants as models for her photographic tableaux, accosting beautiful women on sidewalks and asking them to sit for her, and even, it is said, selecting her gardener in Ceylon because of the beauty of his back. Another story records that on her deathbed, while gazing through a window at the sunset, she uttered her final word: ‘Beautiful!’
Anyone searching today for a trace of the vanished Little Holland House can find it in an ancient patch of wall in Ilchester Place, shortly before it runs into Melbury Road. Ignore the high-rise block of flats and the red-brick houses, and imagine behind this wall a garden, a little
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
It wasn’t until 1825 that Pepys’s diary became available for the first time. How it was eventually decrypted and published is a story of subterfuge and duplicity.
Kate Loveman tells the tale.
Kate Loveman - Publishing Pepys
Kate Loveman: Publishing Pepys
literaryreview.co.uk
Arthur Christopher Benson was a pillar of the Edwardian establishment. He was supremely well connected. As his newly published diaries reveal, he was also riotously indiscreet.
Piers Brendon compares Benson’s journals to others from the 20th century.
Piers Brendon - Land of Dopes & Tories
Piers Brendon: Land of Dopes & Tories - The Benson Diaries: Selections from the Diary of Arthur Christopher Benson by Eamon Duffy & Ronald Hyam (edd)
literaryreview.co.uk
Of the siblings Gwen and Augustus John, it is Augustus who has commanded most attention from collectors and connoisseurs.
Was he really the finer artist, asks Tanya Harrod, or is it time Gwen emerged from her brother’s shadow?
Tanya Harrod - Cut from the Same Canvas
Tanya Harrod: Cut from the Same Canvas - Artists, Siblings, Visionaries: The Lives and Loves of Gwen and Augustus John by Judith Mackrell
literaryreview.co.uk