Roger Scruton
Roger Scruton Interviews Vaclav Havel
The first President of Czechoslovakia, T G Masaryk, was a world-famous writer and philosopher. Thanks to his international standing and to his towering personality, Masaryk was able to put his country where it belonged on the cultural map- namely, at the heart of Europe. Vaclav Havel has repeated the achievement, helping the Czech experience to reassume its central place in the European imagination. His writings belong to the corpus of dissident literature, but their relevance has not dwindled since the collapse of the Communist regime. Indeed, the importance of both the plays and the essays increases, as the Communist experience fades from the European memory, and new forms of impersonal order and unaccountable government spread their shadow across our continent. Although Masaryk wrote and published freely, and received the accolades of academic, literary and political establishments, none of his writings has retained the penetrating relevance of ‘The Power of the Powerless’, of the Letters to Olga or of the intimate theatre through which Havel explored the psychological traumas of our time.
A central theme in Havel’s writings, and one that recurs throughout the tradition of modern Czech literature, is that of personality – its fragility, its cost, and its need for renewal. The impersonal, the scientific and the objective besiege us from every side, tempting us with the vision of man the machine. Systems of government, forms of entertainment, whole cultures arise from the mechanised approach to human life, and exert their fascination even over those who strive to resist them. Kafka wrote presciently of this; so too did Capek, inventor of the word ‘robot’. So too did Masaryk. But the question of personality took on a new complexion in the wake of the Second World War.
The triumph first of National Socialism and then of Communism imposed an almost intolerable penalty on those who aimed nevertheless to ‘live in truth’, as befits a free and accountable being. And the new currents of philosophical and literary reflection seemed to cast light on this. Those currents had their
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
Paul Gauguin kept house with a teenage ‘wife’ in French Polynesia, islands whose culture he is often accused of ransacking for his art.
@StephenSmithWDS asks if Gauguin is still worth looking at.
Stephen Smith - Art of Rebellion
Stephen Smith: Art of Rebellion - Wild Thing: A Life of Paul Gauguin by Sue Prideaux
literaryreview.co.uk
‘I have fond memories of discussing Lorca and the state of Andalusian theatre with Antonio Banderas as Lauren Bacall sat on the dressing-room couch.’
@henryhitchings on Simon Russell Beale.
Henry Hitchings - The Play’s the Thing
Henry Hitchings: The Play’s the Thing - A Piece of Work: Playing Shakespeare & Other Stories by Simon Russell Beale
literaryreview.co.uk
We are saddened to hear of the death of Fredric Jameson.
Here, from 1983, is Terry Eagleton’s review of The Political Unconscious.
Terry Eagleton - Supermarket of the Mind
Terry Eagleton: Supermarket of the Mind - The Political Unconscious: Narrative as a Socially Symbolic Act by Fredric Jameson
literaryreview.co.uk