Frank McLynn
A Wicked, Wicked Life
Ava Gardner
By Lee Server
Bloomsbury 533pp £20
Ava Gardner, surely one of the best known of all film stars, exemplified the classic rags-to-riches fable. The seventh child of a North Carolina sharecropping tobacco farmer, she was what the unkind describe as poor white trailer trash, with accent and ambitions to match. The height of her aspirations was to be a secretary in New York, but she was ‘discovered’ from a chance snapshot in a photographer’s window and whisked away to Hollywood for the big star build-up, purely on the basis of her looks. And here, straight away, Lee Server’s workmanlike biography solves one problem that has always puzzled me. While everyone agrees that Ava Gardner was no great shakes as an actress, she was consistently described as a woman of stunning beauty – yet this did not seem to me to correspond with the image I saw on the screen. According to Server, she was one of those rare movie stars who are far more stunning in the flesh than on celluloid; usually it works the other way round, with fairly ordinary-looking men and women being transformed by the magical alchemy of a camera that likes them.
While most of the films Ava Gardner appeared in were unmemorable to say the least, she soon attracted attention by the turbulence of her private life. At the age of nineteen (in 1942) she married Mickey Rooney, then an MGM superstar. Ava, who had been brought up in an atmosphere
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
Literary Review is seeking an editorial intern.
Though Jean-Michel Basquiat was a sensation in his lifetime, it was thirty years after his death that one of his pieces fetched a record price of $110.5 million.
Stephen Smith explores the artist's starry afterlife.
Stephen Smith - Paint Fast, Die Young
Stephen Smith: Paint Fast, Die Young - Jean-Michel Basquiat: The Making of an Icon by Doug Woodham
literaryreview.co.uk
15th-century news transmission was a slow business, reliant on horses and ships. As the centuries passed, though, mass newspapers and faster transport sped things up.
John Adamson examines how this evolution changed Europe.
John Adamson - Hold the Front Page
John Adamson: Hold the Front Page - The Great Exchange: Making the News in Early Modern Europe by Joad Raymond Wren
literaryreview.co.uk