Dominic Sandbrook
Bury the Hatchet
The Hatchet Job of the Year award, which was set up two years ago by the Omnivore, a review aggregation website, really ought to be my kind of thing. Like everybody else, I love reading really bad reviews – provided, of course, that they aren’t spearing my own books. And the judges’ tastes are impeccable. The winner of last year’s award, the Sunday Times journalist Camilla Long, is one of the funniest writers you could hope to read, and her evisceration of Rachel Cusk’s self-pitying memoir Aftermath – ‘In Cusk’s world, even the canapés are victims’ – is a joy.
And the other pieces on the shortlist were pretty good, too, in a memorably stinging way. Here’s Craig Brown, getting his teeth into Richard Bradford’s book about Kingsley Amis and Philip Larkin: ‘It is a triumph of “cut and paste” – indeed, such a triumph that by now Bradford must
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Paul Gauguin kept house with a teenage ‘wife’ in French Polynesia, islands whose culture he is often accused of ransacking for his art.
@StephenSmithWDS asks if Gauguin is still worth looking at.
Stephen Smith - Art of Rebellion
Stephen Smith: Art of Rebellion - Wild Thing: A Life of Paul Gauguin by Sue Prideaux
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‘I have fond memories of discussing Lorca and the state of Andalusian theatre with Antonio Banderas as Lauren Bacall sat on the dressing-room couch.’
@henryhitchings on Simon Russell Beale.
Henry Hitchings - The Play’s the Thing
Henry Hitchings: The Play’s the Thing - A Piece of Work: Playing Shakespeare & Other Stories by Simon Russell Beale
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We are saddened to hear of the death of Fredric Jameson.
Here, from 1983, is Terry Eagleton’s review of The Political Unconscious.
Terry Eagleton - Supermarket of the Mind
Terry Eagleton: Supermarket of the Mind - The Political Unconscious: Narrative as a Socially Symbolic Act by Fredric Jameson
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