Elspeth Barker

Conscious Coupling

In the City of Love's Sleep


Faber & Faber 316pp £14.99 order from our bookshop

The poet Lavinia Greenlaw’s third novel opens enticingly with a dream-like scenario, a woman fleeing down a long corridor from someone she has recognised as a potential lover, whom she desires and dreads. They have passed through a door together, have exchanged conversation and discovered a shared interest in small objects. Now they are apart, but time will bring them back together. Iris is a museum conservator; her task is ‘to protect objects and to strengthen them without alteration while remaining aware that, in practice, this is something that cannot be done’. These objects include a merman, a cloud mirror and a jealousy glass, as well as larger locomotives, rockets and dentist’s chairs. Iris is also struggling to repair her family, consisting of an estranged husband with multiple sclerosis and two young daughters. Constantly she asks herself what it means to restore something when you can never make it new. Iris turns away from everyone and from herself, creating a mesh of wearisome abstraction. Iris is a pain in the neck.

Follow Literary Review on Twitter

  • Last Tweets

    • Jane Ridley writes on Who’s In, Who’s Out: The Journals of Kenneth Rose, edited by D R Thorpe ,
    • 'Lucian Freud was never short of confidence. In the 1990s he painted a small head of an especially rich individual… ,
    • Robin Simon's review of Lucian Freud, edited by Martin Gayford and David Dawson ,
    • 'Lenin regularly communicated with his agents in Russia by postcard and Stalin sent girlfriends cards depicting ero… ,
    • RT : Could any book publishing people share with me their route into publishing roles for a sixth former I am working wi… ,
    • Donald Rayfield reviews Greetings From the Barricades: Revolutionary Postcards in Imperial Russia by Tobie Maythew ,
    • 'Citadel of the Saxons manages to turn the slim pickings of the surviving evidence into something like a consistent… ,