Following hard on the heels of April Blood: Florence and the Plot against the Medici (2004), Lauro Martines’s Scourge and Fire sees the author taking his story of the Florentine Renaissance on to its next bloody historical episode. Moving from history into biography, Martines takes as his subject the Dominican friar Girolamo Savonarola (1452–98) and his unprecedented rise to religious and political influence in Florence over four heady years following the expulsion of the Medici in 1494. Martines’s main aim is to rescue the poor friar from five centuries of predominantly bad press, often written from the perspective of the Medici. These accounts portrayed Savonarola as everything from a religious fanatic fanning the flames of the bonfires of the vanities, to an atheistic hermaphrodite who reduced the glorious centre of the Italian Renaissance to a Year Zero policy of religious fundamentalism. 

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