Jerry Brotton
Speaking with the Dead
The English Civil War: A People’s History
By Diane Purkiss
HarperCollins 624pp £20
It is a brave, some might say foolish writer who embarks on a history of the English Civil War these days. The grand historical narratives of the war that raged from 1642 to 1649, written by the likes of the Victorian Samuel Gardiner and later Dame Veronica Wedgwood, are these days regarded as unfashionable, qualified into virtual irrelevance by an avalanche of recent micro-studies of the causes, effects and practices of every facet of seventeenth-century English political, social and domestic life. The historical revisionism that began in the 1970s has persuasively rejected the Whig and Marxist views of the Civil War as a bourgeois revolution, which inexorably propelled us all towards parliamentary democracy. Instead, historians have sought explanations for the causes of the civil conflict in local internecine conflicts over trade, religion, social status, and of course religion. Others have broadened their scope to argue that the pivotal involvement of Ireland and Scotland requires us to call the conflict ‘the Wars of the Three Kingdoms’.
Stepping into this ideological minefield, and drawing extensively on the revisionists, comes Diane Purkiss, with her ‘people’s history’ of the Civil War. Heavily influenced by the ‘history from below’ pioneered by writers like Carlo Ginzburg and Emmanuel Le Roy Ladurie, her book tries to capture the war’s effect on those
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
It wasn’t until 1825 that Pepys’s diary became available for the first time. How it was eventually decrypted and published is a story of subterfuge and duplicity.
Kate Loveman tells the tale.
Kate Loveman - Publishing Pepys
Kate Loveman: Publishing Pepys
literaryreview.co.uk
Arthur Christopher Benson was a pillar of the Edwardian establishment. He was supremely well connected. As his newly published diaries reveal, he was also riotously indiscreet.
Piers Brendon compares Benson’s journals to others from the 20th century.
Piers Brendon - Land of Dopes & Tories
Piers Brendon: Land of Dopes & Tories - The Benson Diaries: Selections from the Diary of Arthur Christopher Benson by Eamon Duffy & Ronald Hyam (edd)
literaryreview.co.uk
Of the siblings Gwen and Augustus John, it is Augustus who has commanded most attention from collectors and connoisseurs.
Was he really the finer artist, asks Tanya Harrod, or is it time Gwen emerged from her brother’s shadow?
Tanya Harrod - Cut from the Same Canvas
Tanya Harrod: Cut from the Same Canvas - Artists, Siblings, Visionaries: The Lives and Loves of Gwen and Augustus John by Judith Mackrell
literaryreview.co.uk