James Womack
Glossed in Translation
Late Essays
By J M Coetzee
Harvill Secker 297pp £12.99
‘I wouldn’t have said Balthus was naive. I’d have said on the contrary that he’s very sophisticated.’
‘It’s the same thing,’ Alberto stated flatly.
This exchange, from James Lord’s A Giacometti Portrait, could serve as an epigraph to this collection of J M Coetzee’s essays, which move uncomfortably between the interestingly complex and the surprisingly straightforward. They are billed as ‘late’ essays, but it would be a shame if ‘late’ were held to indicate that they stand at the end of a career (like Beethoven’s Late Quartets) rather than that they are of recent production (‘I have of late, but wherefore I know not…’): they mark an obvious weakening in focus and a concentration of critical faculties on odd and unrewarding terrain.
Coetzee’s style has always been one of pitiless exposition. In his fiction, this pays dividends: at his best, he sounds like no one else in the way he builds his sentences and his chapters. Think of how Elizabeth Costello sets out her arguments, or the evocation of Dostoevsky’s thought processes
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
‘I have to change’, Miles Davis once said. ‘It’s like a curse.’
@rwilliams1947 tells the story of how Davis made jazz cool.
Richard Williams - In Their Own Sweet Way
Richard Williams: In Their Own Sweet Way - 3 Shades of Blue: Miles Davis, John Coltrane, Bill Evans and the Lo...
literaryreview.co.uk
The Political Unconscious: Narrative as a Socially Symbolic Act by Fredric Jameson - review by Terry Eagleton via @Lit_Review
for the new(ish) April issue of @Lit_Review I commissioned a number of pieces, including Deborah Levy on Bowie, Rosa Lyster on creative non-fiction, @JonSavage1966 on Pulp, @mjohnharrison on Oyamada, @rwilliams1947 on Kind of Blue, @chris_power on HGarner