Felipe Fernández-Armesto
History Lesson
For historians this is the best and worst of times. Our numbers have boomed over the last forty years and the subjects we tackle have multiplied to match. The output of rubbish, of course, has grown proportionately; but the good scholarship – convincingly imagined, richly researched, vividly evoked, fascinating and new – has exploded.
Two generations of social and cultural revolution have liberated us to penetrate parts of society our predecessors did not reach: the jetsam of history, the excluded classes and cultures. There are no more ‘people without history’, no minorities marginalised into invisibility. Other disciplines have broadened and sharpened historians’ vision: anthropology,
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Margaret Atwood has become a cultural weathervane, blamed for predicting dystopia and celebrated for resisting it. Yet her ‘memoir of sorts’ reveals a more complicated, playful figure.
@sophieolive introduces us to a young Peggy.
Sophie Oliver - Ms Fixit’s Characteristics
Sophie Oliver: Ms Fixit’s Characteristics - Book of Lives: A Memoir of Sorts by Margaret Atwood
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For a writer so ubiquitous, George Orwell remains curiously elusive. His voice is lost, his image scarce; all that survives is the prose, and the interpretations built upon it.
@Dorianlynskey wonders what is to be done.
Dorian Lynskey - Doublethink & Doubt
Dorian Lynskey: Doublethink & Doubt - Orwell: 2+2=5 by Raoul Peck (dir); George Orwell: Life and Legacy by Robert Colls
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The court of Henry VIII is easy to envision thanks to Hans Holbein the Younger’s portraits: the bearded king, Anne of Cleves in red and gold, Thomas Cromwell demure in black.
Peter Marshall paints a picture of the artist himself.
Peter Marshall - Varnish & Virtue
Peter Marshall: Varnish & Virtue - Holbein: Renaissance Master by Elizabeth Goldring
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