Gillian Tindall
Immortal, Invisible
Lifescapes: A Biographer’s Search for the Soul
By Ann Wroe
Jonathan Cape 214pp £18.99
Ann Wroe is probably best known as the wide-ranging obituaries editor of The Economist. Fragments from the weekly obituaries page make an appearance in Lifescapes, but this work, extremely compact compared with her previous books (she has written biographies of Shelley and Pontius Pilate, among others), is far more than an exploration of the personalities of specific individuals. It is a fervent investigation into personhood. Of her earlier books, the one nearest to this in kind is Six Facets of Light (2016), a study of the multiform human relationship with light and its meanings.
Starting with her one-off, unforgettable 2009 obituary of an oversized and greedy fish, we soon pass, via the hopeful anglers beside the Hampstead Heath ponds, to the heart of her quest, ‘catching souls’: ‘One day, I suppose, science will announce what life is and how it began – if it began. Until then I have been grappling with a mystery, perhaps the most fundamental of all: the nature of this force, which, as Shelley put it, our bodies “enshrine for a time”.’ Wroe is the product of a Roman Catholic childhood and is alive to the weight of symbolism and perceptions of the soul as ‘another organ’, like the heart and lungs. In non-religious terms, her search is for the unique essence of individuals.
In researching her biographies of both Pontius Pilate and Perkin Warbeck (who just may, or may not, have been one of the lost princes thought to have been killed by Kings Richard III or Henry VII), Wroe was dealing with very small scraps of retrievable information. The impression
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
Literary Review is seeking an editorial intern.
Though Jean-Michel Basquiat was a sensation in his lifetime, it was thirty years after his death that one of his pieces fetched a record price of $110.5 million.
Stephen Smith explores the artist's starry afterlife.
Stephen Smith - Paint Fast, Die Young
Stephen Smith: Paint Fast, Die Young - Jean-Michel Basquiat: The Making of an Icon by Doug Woodham
literaryreview.co.uk
15th-century news transmission was a slow business, reliant on horses and ships. As the centuries passed, though, mass newspapers and faster transport sped things up.
John Adamson examines how this evolution changed Europe.
John Adamson - Hold the Front Page
John Adamson: Hold the Front Page - The Great Exchange: Making the News in Early Modern Europe by Joad Raymond Wren
literaryreview.co.uk