Philip Mansel
In Polish Paris
Chopin's Funeral
By Benita Eisler
Little, Brown 230pp £16.99
PARIS IN THE nineteenth century was a world city. Offering a hypnotic combination of freedom, pleasure and modernity, it defined itself as cosmopolitan by nature. Contemporary French books called it 'the city of foreigners par excellence', 'the great European city par excellence': the real foreigner in Paris was the native " Parisian. One in ten Parisians, in the years between 1830 and 1870, was a foreigner. For Italians and Germans, Paris was the capital of freedom and ideas (and, in many cases, the best market for their talents): Marx became Marxist, and met Engels, while living in Paris in 1844-5. For the English, Paris was a capital of pleasure, and low prices. The nation for whom Paris was most important, however, and the nation which won the greatest ascendancy over Parisian hearts and minds, was Poland.In both the eighteenth and the twentieth centuries Parisians were relatively indifferent to the fate of Poland. In the years from 1830 to 1870, however, a common Catholicism, a common liberalism and I above all the contribution to French Chopin: exquisite victories of Polish soldiers serving in French
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
‘I have to change’, Miles Davis once said. ‘It’s like a curse.’
@rwilliams1947 tells the story of how Davis made jazz cool.
Richard Williams - In Their Own Sweet Way
Richard Williams: In Their Own Sweet Way - 3 Shades of Blue: Miles Davis, John Coltrane, Bill Evans and the Lo...
literaryreview.co.uk
The Political Unconscious: Narrative as a Socially Symbolic Act by Fredric Jameson - review by Terry Eagleton via @Lit_Review
for the new(ish) April issue of @Lit_Review I commissioned a number of pieces, including Deborah Levy on Bowie, Rosa Lyster on creative non-fiction, @JonSavage1966 on Pulp, @mjohnharrison on Oyamada, @rwilliams1947 on Kind of Blue, @chris_power on HGarner