Malcolm Bradbury

Is This the Greatest American Novel Ever?

Mason & Dixon


Jonathan Cape 773pp £16. 99 order from our bookshop

Dividing lines cover the vast North American continent, writing meanings and demarcations onto its previously unplotted space. The most famous line of all was the Mason-Dixon, surveyed and drawn between 1763 and 1767, to separate Maryland from Pennsylvania, and halt a boundary dispute raging between Calverts and Penns, proprietors of the two colonies. In 1779 it was extended to present-day West Virginia. Notionally projected down the length of the Ohio River as far as the Mississippi, it became the great American division: the line of separation between the Northern (free) and the Southern (slave) states, the two sides in the Civil War. It was plotted in the wilderness by two English astronomers, Charles Mason (1728–86) and Jeremiah Dixon (1733–79), in the rebellious colonial years between the first Treaty of Paris (which effectively brought an end to French dominion in Upper and Lower Canada) and the second, which receded these lands to a new American nation after the War of Independence.

Sign Up to our newsletter

Receive free articles, highlights from the archive, news, details of prizes, and much more.

Follow Literary Review on Twitter

  • Last Tweets

    • In 'Silenced Voices' reports the ongoing story of the human rights lawyer, Nasrin Sotoudeh, who has been… ,
    • The mystery of Jack the Ripper's identity has long been agonised over. But what do we know about his victims?… ,
    • A piece of Literary Review history from way back in 1983: John Haffenden talks to the great Iris Murdoch. ,
    • Britain’s only travelling lit fest, the Garden Museum Literary Festival is heading to Houghton Hall, Norfolk, for a… ,
    • 'The 19th-century German sage is not my idea of a pleasant travel companion' goes hiking with Friedr… ,
    • If you want ideas about what to read next, sign up to our free email newsletter, and get book reviews, archive mate… ,
    • 'The heroic male nude could not, I think, be used today to signify civic pride and glory', as Michelangelo’s 'David… ,