Richard Vinen
On the Edge of Glory
Empire of Democracy: The Remaking of the West Since the Cold War, 1971–2017
By Simon Reid-Henry
John Murray 870pp £30
The great Victorian historian Lord Acton urged his colleagues to study ‘problems in preference to periods’. But sometimes periods are problems. ‘Modern’, ‘medieval’ and, for that matter, ‘Victorian’ are not neutral terms that automatically designate particular dates. Each of them implies an interpretation and a sense that an era can be distinguished from what went before and what came after. How, then, should historians periodise the very recent past? The year 1945 once seemed to mark a clear chronological frontier, but we cannot go on living in the ‘postwar’ era forever.
Simon Reid-Henry suggests that the first thirty years after the Second World War, the period that the French economist Jean Fourastié labelled the trente glorieuses, form an epoch characterised by ‘mass-prosperity’ and an active state. He sees this as being followed by an equally coherent period (which he
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
It wasn’t until 1825 that Pepys’s diary became available for the first time. How it was eventually decrypted and published is a story of subterfuge and duplicity.
Kate Loveman tells the tale.
Kate Loveman - Publishing Pepys
Kate Loveman: Publishing Pepys
literaryreview.co.uk
Arthur Christopher Benson was a pillar of the Edwardian establishment. He was supremely well connected. As his newly published diaries reveal, he was also riotously indiscreet.
Piers Brendon compares Benson’s journals to others from the 20th century.
Piers Brendon - Land of Dopes & Tories
Piers Brendon: Land of Dopes & Tories - The Benson Diaries: Selections from the Diary of Arthur Christopher Benson by Eamon Duffy & Ronald Hyam (edd)
literaryreview.co.uk
Of the siblings Gwen and Augustus John, it is Augustus who has commanded most attention from collectors and connoisseurs.
Was he really the finer artist, asks Tanya Harrod, or is it time Gwen emerged from her brother’s shadow?
Tanya Harrod - Cut from the Same Canvas
Tanya Harrod: Cut from the Same Canvas - Artists, Siblings, Visionaries: The Lives and Loves of Gwen and Augustus John by Judith Mackrell
literaryreview.co.uk