Christopher Bray
Penny Lane
You Never Give Me Your Money: The Battle for the Soul of the Beatles
By Peter Doggett
The Bodley Head 390pp £18.99
‘Of course we aren’t just four fellows,’ Paul McCartney told Life magazine a year or so after the Beatles’ final bust-up. ‘We are part of a big business machine.’ Four decades on, the big business machine still rumbles, spewing DVD box sets here, high-gloss, supercalendered, four-colour oral histories there. A few weeks back the Fabs became the subject of a play-along video game: The Beatles: Rock Band. At the same time, their back catalogue was finally re-released on a series of digitally remastered CDs. Why, in these days when even relatively new albums are back on the racks with extra material and ritzier covers mere months after their original release, the delay?
The answer is implicit in Peter Doggett’s You Never Give Me Your Money, a clinically precise account of the internecine financial wars those four fellows (and/or their widows) have been fighting since their very public split. Energetically told, it is a dispiriting tale from which anyone who still
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
It wasn’t until 1825 that Pepys’s diary became available for the first time. How it was eventually decrypted and published is a story of subterfuge and duplicity.
Kate Loveman tells the tale.
Kate Loveman - Publishing Pepys
Kate Loveman: Publishing Pepys
literaryreview.co.uk
Arthur Christopher Benson was a pillar of the Edwardian establishment. He was supremely well connected. As his newly published diaries reveal, he was also riotously indiscreet.
Piers Brendon compares Benson’s journals to others from the 20th century.
Piers Brendon - Land of Dopes & Tories
Piers Brendon: Land of Dopes & Tories - The Benson Diaries: Selections from the Diary of Arthur Christopher Benson by Eamon Duffy & Ronald Hyam (edd)
literaryreview.co.uk
Of the siblings Gwen and Augustus John, it is Augustus who has commanded most attention from collectors and connoisseurs.
Was he really the finer artist, asks Tanya Harrod, or is it time Gwen emerged from her brother’s shadow?
Tanya Harrod - Cut from the Same Canvas
Tanya Harrod: Cut from the Same Canvas - Artists, Siblings, Visionaries: The Lives and Loves of Gwen and Augustus John by Judith Mackrell
literaryreview.co.uk