Christopher Hart
Seek and Ye Shall Find
Shapely Ankle Preferr’d: A History of the Lonely Hearts Ad
By Francesca Beauman
Chatto and Windus 207pp £12.99
Francesca Beauman’s new book, a thoroughly original history of lonely hearts adverts, is elegant, witty, wise and utterly delightful. It offers hours of NSA adult fun, and most definitely has a GSOH.
The first ad of which we have evidence appeared in 1695, in a pamphlet published at the Golden Fleece on the corner of Gracechurch Street and Eastcheap. Among the offers of an Arabian stallion and a second-hand bed, there was also a gentleman of thirty years of age looking for ‘a young Gentlewoman that has a fortune of 3000l.’ Multiply this by at least 100, perhaps 1,000, and you can see this young man had ambition.
Almost immediately, spoof versions appeared. In fact they can be traced back earlier than the genuine article. For instance in 1660 there appeared a pun-stuffed appeal from a widow, ‘plump, fresh, free and willing’, on the lookout for any man who will ‘present the true picture of his
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
It wasn’t until 1825 that Pepys’s diary became available for the first time. How it was eventually decrypted and published is a story of subterfuge and duplicity.
Kate Loveman tells the tale.
Kate Loveman - Publishing Pepys
Kate Loveman: Publishing Pepys
literaryreview.co.uk
Arthur Christopher Benson was a pillar of the Edwardian establishment. He was supremely well connected. As his newly published diaries reveal, he was also riotously indiscreet.
Piers Brendon compares Benson’s journals to others from the 20th century.
Piers Brendon - Land of Dopes & Tories
Piers Brendon: Land of Dopes & Tories - The Benson Diaries: Selections from the Diary of Arthur Christopher Benson by Eamon Duffy & Ronald Hyam (edd)
literaryreview.co.uk
Of the siblings Gwen and Augustus John, it is Augustus who has commanded most attention from collectors and connoisseurs.
Was he really the finer artist, asks Tanya Harrod, or is it time Gwen emerged from her brother’s shadow?
Tanya Harrod - Cut from the Same Canvas
Tanya Harrod: Cut from the Same Canvas - Artists, Siblings, Visionaries: The Lives and Loves of Gwen and Augustus John by Judith Mackrell
literaryreview.co.uk