D J Taylor
Sorrowing in Sunlight
Devoid of Shyness: From the Journal, 1926–1939
By Alan Pryce-Jones (Edited by John Byrne)
Stone Trough Books 222pp £20
The former editor of the Times Literary Supplement Alan Pryce-Jones (1908–2000) makes several fleeting appearances in Anthony Powell’s journals from the mid-1980s – zestful, wordly and apparently modelling himself on Dorian Gray. Meeting him in June 1982, Powell thought the sprightly pensioner ‘at most perhaps in his late fifties, hair slightly grey, immensely spruce, full of social activities’. As late as 1985, coming across him in the Travellers Club, Powell reckoned his old friend was ‘not quite so young as once’, but ‘all the same pretty good for seventy-six or seven, which he must have reached now’.
If the elderly Pryce-Jones seemed to possess the secret of eternal youth, then, on the evidence of this selection from his interwar-era diaries, his younger self sometimes gave the impression of being prematurely aged. ‘Endless balls and parties wear me out,’ runs a plaintive entry from May 1932 recording trips
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
It wasn’t until 1825 that Pepys’s diary became available for the first time. How it was eventually decrypted and published is a story of subterfuge and duplicity.
Kate Loveman tells the tale.
Kate Loveman - Publishing Pepys
Kate Loveman: Publishing Pepys
literaryreview.co.uk
Arthur Christopher Benson was a pillar of the Edwardian establishment. He was supremely well connected. As his newly published diaries reveal, he was also riotously indiscreet.
Piers Brendon compares Benson’s journals to others from the 20th century.
Piers Brendon - Land of Dopes & Tories
Piers Brendon: Land of Dopes & Tories - The Benson Diaries: Selections from the Diary of Arthur Christopher Benson by Eamon Duffy & Ronald Hyam (edd)
literaryreview.co.uk
Of the siblings Gwen and Augustus John, it is Augustus who has commanded most attention from collectors and connoisseurs.
Was he really the finer artist, asks Tanya Harrod, or is it time Gwen emerged from her brother’s shadow?
Tanya Harrod - Cut from the Same Canvas
Tanya Harrod: Cut from the Same Canvas - Artists, Siblings, Visionaries: The Lives and Loves of Gwen and Augustus John by Judith Mackrell
literaryreview.co.uk