Frank McLynn
Sound and Fury
What Happens Next: A History of American Screenwriting
By Marc Norman
Aurum 553pp £20
The screenwriter was traditionally considered the lowest form of pond life in Hollywood, and there was the old joke about a ‘casting couch’ starlet so dumb she slept with a writer. An art form based on the moving image is bound to have an ambivalent relationship with the writer of dialogue, especially since, as William Holden points out in Sunset Boulevard, the man in the street thinks actors make up their lines as they go along. Hitchcock, as usual, hit the nail on the head. He, the most brilliant master of images ever, said that the success of a film depended on three things: the script, the script and the script.
To write a book about the history of screenwriting is therefore an inspired idea. In this brilliant but not flawless book Marc Norman, who co-wrote Shakespeare in Love, serves up nothing less than a complete history of Hollywood, for the examination of the screenwriter’s role necessarily involves discussion of the
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
Interview with Iris Murdoch by John Haffenden via @Lit_Review
I love Helen Garner and this, by @chris_power in @Lit_Review, is excellent.
Yesterday was Fredric Jameson's 90th birthday.
This month's Archive newsletter includes Terry Eagleton on The Political Unconscious, and other pieces from our April 1983 issue.
Terry Eagleton - Supermarket of the Mind
Terry Eagleton: Supermarket of the Mind - The Political Unconscious: Narrative as a Socially Symbolic Act by Fredric Jameson
literaryreview.co.uk