Norman Stone
Soviet Horror
Gulag: A History of the Soviet Concentration Camps
By Anne Applebaum
Allen Lane The Penguin Press 610pp £25
WHEN SOLZHENITSYN WROTE his great three-volume classic, The Gulag Archipelago, it had a huge impact, particularly in France. There, since the Second World war, a great part of the reading classes had been Communist. Denying that Stalin ran an enormous concentration-camp system was fairly routine - or at any rate it was routine just to say that omelettes needed broken eggshells, and that the prisoners probably deserved imprisonment. Even when The Black Book of Communism came out in France a few years ago, and Le Monde invited comments on the statement that Hitler killed far fewer people than Stalin, there were still a few breast-beaters around to say that, after all, the Communist experience could be excused because it was all part of a well-intended 'social ex~eriment'. But on the whole. Solzhenitsvn single-hanhedly, through his Gulag book, brought abou; a tectonic shift in French intellectual life.
In Anglo-Saxon countries. the effect was less marked - probably, in the first instance, because Russia was that much further away, and because the degree of Communist influence on intellectual life was so much less. There had been indications as to the extent of the horrors under Stalin - Malcolm Muggeridge, quite early on (in
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
‘I have to change’, Miles Davis once said. ‘It’s like a curse.’
@rwilliams1947 tells the story of how Davis made jazz cool.
Richard Williams - In Their Own Sweet Way
Richard Williams: In Their Own Sweet Way - 3 Shades of Blue: Miles Davis, John Coltrane, Bill Evans and the Lo...
literaryreview.co.uk
The Political Unconscious: Narrative as a Socially Symbolic Act by Fredric Jameson - review by Terry Eagleton via @Lit_Review
for the new(ish) April issue of @Lit_Review I commissioned a number of pieces, including Deborah Levy on Bowie, Rosa Lyster on creative non-fiction, @JonSavage1966 on Pulp, @mjohnharrison on Oyamada, @rwilliams1947 on Kind of Blue, @chris_power on HGarner